News Roundup: One Tree Hill, Gossip Girl, 90210 and More

14 07 2010
  • Janice Cooke-Leonard (director, One Tree Hill; Gossip Girl 90210; Dawson’s Creek) will direct a new webseries called Hollywood Is Like High School With Money for Alloy, the company behind Gossip Girl.
  • In response to a fan question about Lucas (Chad Michael Murray, One Tree Hill) and Peyton (Hilarie Burton, One Tree Hill) returning, Sophia Bush (Brooke, One Tree Hill) tweeted, “Doesn’t look that way guys,” and later tweeted again (along with spoilish answers to some others questions) “LOOKS like no Peyton/Luke.” As far as where Leyton are, Bush tweeted, “They moved to Australia with their baby, to live with Karen and Andy :)” before correcting herself later by saying that it’s actually New Zealand. And Bush tweeted again later on, after being asked whether she misses the characters, “I’m so happy for them to have gotten what they want in real life, so I’m OK with it. People have to do what’s best for them!”
  • Huey Lewis (Jimmy, One Tree Hill) appeared on Hot In Cleveland this week.
  • Gossip Cop and I busted an Us Weekly story about Leighton Meester (Blair, Gossip Girl) and Blake Lively (Serena, Gossip Girl) feuding.
  • Taylor Momsen (Jenny, Gossip Girl) is the face of Material Girl, a new fashion line for Macy’s designed by Madonna and her daughter, Lourdes.
  • has an interesting character-by-character comparison of Beverly Hills 90210 and True Blood.
  • Luke Perry (Dylan, Beverly Hills 90210) will star in the UK production of Dick Whittington.
  • Christine Elise (Emily, Beverly Hills 90210) tweeted that she appears in Prom, a Disney movie, which also stars Aimee Teegarden (Rhonda, 90210).
  • Jessica Stroup (Silver, 90210) tweeted a cute pic of some of the 90210 cast outside the school that serves as West Beverly.
  • Staying In has a great interview with Autumn Reeser (Taylor, The O.C.). Have you read my interview with her?
  • Tate Donovan (Jimmy, the O.C.) will appear on Broadway in Good People beginning in February.

Spoiler: Ask The Addict

27 04 2010


Any scoop on what 90210 has planned for their season finale? — Amber
The TV Addict: Would it surprise you to learn an nod to iconic original series star Emily Valentine? No really. Whether it be by happy accident or not, 90210’s May 18 season finale will go out with a bang when things really start to heat up on Liam’s boat after a certain somebody who-shall-not-be-named discovers that Annie and Liam are a little too dedicated to practicing “safe boating” in the form of mouth-to-mouth resuscitation.

Will Chuck and Blair end the season on a happily ever after? I’m worried for them. — Stacey
The TV Addict: We’re not so worried about Blair — who will have until the credits role on GOSSIP GIRL’s May 17 season finale to decide whether or not to meet Chuck at the top of the Empire State Building — as much as we’re worried for all of Manhattan. For as it turns out, April showers brings May shockers… in the form of Georgina Sparks (Michelle Trachtenberg) who returns to Manhattan… with a vengeance.




I totally gagged at the first sentence of the first question.

News Roundup: Gossip Girl, 90210 and The O.C.

31 01 2010
  • Kristen Bell (Gossip Girl, Gossip Girl) was a presenter at the Grammys.
  • Christine Elise (Emily, Beverly Hills 90210) has a video on Funny or Die.
  • I found a channel on YouTube that has tons of promos FOX aired for Beverly Hills 90210 and The O.C. They’re great to watch, seeing as I don’t remember most of them!
  • There’s a reference to The O.C. in an article on Glee’s use of Journey music.

Exclusive: Executive Producer Charles Rosin Reflects on 90210’s Early Years

4 10 2009

Today is a huge milestone in the world of teen dramas.  It is the 19th anniversary of the premiere of Beverly Hills 90210, the show that started it all.

In honor of this momentous occasion, 90210 executive producer Charles Rosin, who now runs showbizzle,  revisited the show’s early years and development thereafter.

TeenDramaWhore: What was your reaction when Aaron Spelling contacted you to be part of this show, then-called Class of Beverly Hills?

Charles Rosin: Curiosity.  Mr. Spelling was a legend in this business whose deal with ABC had ended and who was struggling to re-invent himself and his company for a new generation of TV watchers.  Truthfully, I was not a big fan of his most  popular shows –“Dynasty,” “Charlie’s Angels,” “The Love Boat”  — which all seemed very old fashioned and predictable.  My taste was much more oriented to a more challenging and thought provoking television like “St.Elsewhere,” ” thirtysomething,” and “Northern Exposure,” of which I was the supervising producer for the first season and was working on when I first met “The Mister” in his office at the Warner Hollywood Studios.

TDW: As an executive producer, what exactly was your role?  How were you involved in the episode process?

Rosin: In the TV business, a creative executive producer is known as a showrunner, who literally runs all the creative aspects of a show while being responsible for its financial vitality. On 90210 I would either come up with the ideas, or approve ideas brought to me; make sure my partners (The Spelling Company and Fox) approved of these ideas; supervise my staff in writing the story and scripts (or write the stories or scripts myself) based on these ideas; re-write scenes, etc. in my capacity as “the last typewriter” if I felt the material needed punching up; incorporate legal clearances and network notes into the scripts; have a concept meeting with the directors (who I hired); cast the actors for that week’s show; supervise a production meeting with all the department heads (wardrobe, art. etc);  be available during production to deal with whatever situations might occur; work with the editors to cut the film which might require dropping scenes, changing the act breaks, changing the order of the story, etc.;  then get notes from my partners; then work with my associate producer in getting the locked film ready for airing by adding music, sound effects, correct color, dub voices — and then being the final “ear” when the show is mixed….all while developing three-five scripts simultaneously and prepping for the next episode in line to shoot.

TDW: 90210 essentially started the primetime teen drama genre.  What kind of challenges were you up against?

Rosin: Fox was all about edgy/raunchy guy-humor like “Married With Children” while 90210 was a show that not only celebrated girl-empowerment but had this wonderful character named Brenda Walsh [Shannen Doherty] who represented the notion that a teenager could be sexually active and not be a slut, but actually a role model. Unfortunately, my first set of network executives did not see the world as I did . Someday I will write a long article about the censorship that occurred after Brenda lost her virginity at the Spring Dance [ed. note: Episode 1.21, Spring Dance] to her boyfriend (who had been AIDS tested) because she was happy and not full of remorse.

TDW: When do you think 90210 crossed over that ‘initial hump’ and started achieving success?

Rosin: When the Gulf War started in February, 1991 the three networks (ABC, NBC, and CBS) suspended all commercial activity to cover the invasion. Fox didn’t have a news department back than (hard to believe; wish they didn’t have one now. ha!) so Fox broadcast whatever was on their schedule. The 90210 episodes that aired during this time included “BYOB” and “Slumber Party” [ed. note: Episodes 1.11 and 1.13].  By the time commercial activity started up again some three weeks later with the re-activation of the Nielsen ratings, our show was no longer a bottom feeder. The network took notice; gave us an extended order for season two with the understanding that we would be producing summer episodes — and we were off.

TDW: In an interview last year with The New York Times, you said you went to Beverly Hills High.  How did it compare to the fictional West Beverly?

Rosin: I graduated Beverly Hills High School in 1970 which makes me a child of the 60’s! Even though it was a time of political activism and emerging youth culture,  there were many traditions from the 1950’s that were a vital part of my high school culture — and which ultimately were incorporated into the series.  We meet Emily Valentine [Christine Elise, ed. note: see related interview] in season two at “Hello Day” where each class welcomes new students through parodies and funny skits [ed. note: Episode 2.8, Wildfire]. The dance where the cheerleader is date raped by a football player in “Teenline” in season one was called The Pigskin Prom, which was a big thang back in the day [ed. note: Episode 1.9, The Gentle Art of Listening].  And, of course, episodes in the third year season dealing with ditch day and the senior yearbook poll all were part of school life at BHHS [ed. note: Episodes 3.26 and 3.25 respectively, She Came In Through The Bathroom Window and Senior Poll]. Oddly enough,  I played baseball for Beverly against Torrance High School, which was our location for “West Beverly” and which later became the high school location for “Buffy the Vampire Slayer.”  [ed. note: click here for photos of Torrance/West Bev] One other odd connection — we filmed our summer episodes at the same beach in Santa Monica Bay where the kids from Beverly Hills High School used to hang out — which was known as Tee’s, not the Beverly Hills Beach Club which was filmed at the old Sand and Sea Club right after it got condemned.

TDW: Let’s talk about the episode where Scott [Douglas Emerson] kills himself (Episode 2.14, The New Fifty Years). Was that a product of Douglas wanting to leave the show or was it precipitated by the direction of the storylines? Was there backlash to that episode?

Rosin: Given our low license fee from the network, we were always trying to cut costs — and Doug Emerson was a nice young man, but not a gifted actor. I still wanted to find a memorable way to write him off the show — and that was when I read about an accidental killing of a high school student on Prom Night in a hotel room at the Disneyland Hotel.  So while David Silver [Brian Austin Green] was getting cool and into the Brenda/Kelly/Steve Beach Club crowd, I sent Scott to hang at his grandparents house in Oklahoma off-camera for six episodes as a way to show these two old friends drifting apart before our eyes. It should be known that this was the only story line that the network and Mr. Spelling worked together to try to squash — but they could sense my passion for the story, were very supportive of [our] script and were very satisfied with the episode, which also was highly promotable and did well in the ratings.

TDW: You were there during the high school to college transition, which all the teen dramas are doing these days.  What do you think that change added to the show?

Rosin: Not only was I “there” for the transition from high school to college, but I must take credit — along with my late producing partner, Paul Waigner — for spearheading the drive to move on and let these kids grow up. Part of the problem was that our cast looked to old/were too old to play believable high school students anymore — and I convinced network president Sandy Grushow that doing a high school show that did not deal with the prospect of college was bogus. Aaron was nervous about the change, of course. He was nervous about everything.  But once I agreed to let all the kids go to the same college, he let them graduate — which allowed me to write a senior year in “real time”. You ask what this added to the show? How ’bout four-five seasons worth of new episodes that would probably wouldn’t have been ordered if they stayed in high school.

TDW: Your wife also worked on the show, right?

Rosin: Karen’s first professional writing credit was for “Isn’t It Romantic?,” the AIDS episode where Brenda and Dylan [Luke Perry] first go out — and where an enraged Dylan slams the flower pot into the pavement before chasing after Brenda [ed. note: Episode 1.10].  Although Karen was never offered a staff position, chances are she wrote, or co-wrote your favorite episodes, including all the ones set in Paris [ed. note: Episodes 3.3-3.5], the condom in school episode [Episode 2.21, Everybody’s Talkin’ ‘Bout It ], the one where Scott  accidentally shoots himself, the one where Dylan meets his inner-child [Episode 3.22, The Child Is Father To The Man], the Christmas episode with the angels answer Donna’s [Tori Spelling] prayers by preventing a school bus from crashing bus [Episode 3.16, It’s A Totally Happening Life], and the graduation episode [Episode 3.29, Commencement], which we wrote together. You can hear our commentary for “Commencement” on the third season DVD. Karen,  a former actress and playwright,  has a great ear for dialogue. My strength as a writer was (and is) always story and story structure — so we were great collaborators. If Mr. Spelling and I had anything in common it was our love and appreciation of nepotism.

TDW: Your daughter is just a bit older than me.  Did she watch the show growing up?  What does she think knowing her parents played a big role in one of the biggest shows of the 90s?

Rosin: My eldest daughter Lindsey was five when I started working on the 90210. She’s the cutie-pie who asks Brandon to dance the hookelau at the end of summer luau at the Beverly Hills Beach Club [ed. note: Episode 2.6, Pass/Not Pass]. Growing up she never bragged about my job, in fact, didn’t tell her teen-aged camp counselors about me until the last day of the session. Lindsey knew at a young age she wanted to be a director, and is currently developing an hour pilot with CBS Paramount — in addition to be the creative force behind showbizzle.

TDW: You have said you left the show because it was “killing” you.  Can you elaborate on that?

Rosin: For the first two seasons, Beverly Hills 90210 had the lowest license fee in broadcast television — meaning that Fox paid the Spelling Company less money to make our show than any other show in prime time.  One of the ways we cut costs was to assemble a small writing staff composed of mostly new writers,  but once our production orders increased to anywhere from 28- 32 hours a year (a standard network order for a hit show is anywhere from 13-22 episodes a year; a cable show much less than that) the lack of a big staff took its toll and I found myself working 12-16 hours a day, 6 1/2 days a week, 11 1/2 months a year.  Six weeks after I mixed my last episode, “P.S. I Love You” [ed note: Episode 5.32], one of my arteries shut down. I was 43 years old.  We caught it early. I dodged a bullet. And 15 years later, I catch waves and feel great.

TDW: Did you keep up with the show after you left?

Rosin: I was a non-exclusive script consultant for the 6th season where I read outlines and offered my suggestions — most of which weren’t followed.  I do remember watching one episode that year where NFL star quarterback Steve Young was a guest star [ed. note: Episode 6.12, Breast Side Up] because it was written by Larry Mollin and directed by Dave Semel, who both remain good friends today.   I did not watch after that — and felt that show lost much of its cultural currency and degenerated into a more pedestrian and predictable soap opera– the kind of show more aligned with the traditional Spelling aesthetic.

TDW: Your last season–the fifth–was also Carol Potter’s last.  Did you agree with the decision to get rid of Jim [James Eckhouse] and Cindy?  (Ed. note: see my related interview here.)

Rosin: Reluctantly, yes. Creatively, the show no longer evolved around the Walsh House — and although we certainly could have come up with new storylines that included the parents in a supporting capacity, both Carol Potter and Jim Eckhouse were taking home a fairly big pay check — and by writing them off the show, those monies could be applied to other things — like paying Jason Priestley [Brandon] and Jennie Garth [Kelly] to stick around.

TDW: I have to ask:  Brenda and Dylan or Kelly and Dylan?

Rosin: Brenda was our favorite character to write; the scene where Dylan and Kelly hook up the night Jack McKay was released at the pool at the Bel Age in season three [ed. note: Episode 3.19,  Back in the High Life Again] was perhaps the hottest scene we ever shot — in other words, it’s a draw…

TDW: Kelly and Dylan or Kelly and Brandon?

Rosin: I’ll always be partial to Kelly and Steve.

TDW: What was your reaction when you found out the season 10 storyline (Episodes 10.18-10.20) that Jack McKay (Josh Taylor) was alive?

Rosin: Well, I first found out about Jack McKay when I opened your e-mail. (Like I said, I didn’t watch the show once I left). But we purposely filmed the sequence in such a way as to leave this “return from the dead” storyline available. I guess they had to wait until Luke Perry returned to the series to revive this plot.

TDW: What was your reaction when you found out David and Donna were marrying in the series finale?

Rosin: It seemed about right; Karen and I and our three kids visited the set at the Beverly Hilton the day they were filming the wedding — and it was the first time I visited since I left the show five years earlier.

TDW: Do you have a favorite storyline?

Rosin: Lots of them — my favorite episode was Commencement because with all the clips that were incorporated into the two hour episode, it felt like a retrospective of the high school years.

TDW: Do you have a favorite memory from working with the cast? A favorite guest star? (There were a lot of them!)

Rosin: I loved watching Jason directing the episode “The Time Has Come Today” from the 4th Season [ed. note: Episode 4.25] where Brenda discovers a diary from the 1960’s in her bedroom. My favorite guest star would be my wife Karen, who played a lesbian in the episode “Girls On The Side,” [Episode 5.28] which she also wrote. Also Marcy Kaplan, who played TV star Lydia Leeds in the episode in which Brenda worked at the Peach Pit and became Laverne [Episode 1.16, Fame is where You Find It]. Karen and I wrote that one together.

TDW: What surprised you most while working on the show?

Rosin: Like most writers I have an active imagination — and there have been times that I thought that the script I had just written would catapult me onto a podium for an awards ceremony. But I never could have imagined being a creative force behind an international television sensation! Or that you would be asking me these questions almost 20 years from the time that I started work on the show…

TDW: Do you have any regrets or anything you would do differently?

Rosin: Biggest regret is that I didn’t establish a relationship with media executive (and visionary) Barry Diller when he was running Fox. As far as doing things differently, I would have tried to take better care of my health, and maintain a sense of humor when dealing with the network instead of getting caught up in a war zone.

TDW: Looking back on the show today, what do you think is its place in television history?

Rosin: A footnote.

TDW: Are you still in touch with any of the cast?

Rosin: Yes — Jason Priestley is a buddy. James Eckhouse too. And Ian Ziering [Steve] is a great guy with whom I recently chatted about his early years in the business which we posted on Inside The Bizzle at showbizzle. Check it out. It is a must see for 90210 fans. [Ed. note: I linked to one of the Ian interviews here but there are many more here, including ones with BH90210 producer-writer John Eisendrath]

TDW: Have you watched the new 90210? Do you have any thoughts on it?

Rosin: I watched it once. It’s a good looking cast. But to do a show called 90210 and not allow your young characters to have any socio-political context in the age of Obama speaks to the cynicism and cowardice of commercial broadcasting.

TDW: You also worked on Dawson’s Creek a bit. How did your role differ there?

Rosin: I was more involved with the business side of producing than the writing of scripts — though I certainly had a hand in the creative development of the first episodes.

TDW: How do you think the shows themselves differ?

Rosin: I leave that for your community of readers to comment.

TDW: You’re now working on a site called showbizzle. What is it, and how did it come about?

Rosin: showbizzle is a digital showcase and destination website I created with daughter Lindsey (the Hookelau girl) for emerging talent away from the immediate pressures of the market place. We created a cool show featuring 29 young actors performing 141 two-minute scripted monologues about what they are doing to jump start their careers in Hollywood as told to Janey, a fictitious blogger who hangs out at an LA coffee house. Our goal here to create a vibrant community of young actors, writers, comedians, and performers around our showbizzle content where members are encouraged to upload their original videos with the chance to be paid $$ to perform on our digital showcase. So check, become a member, work with us, tell your friends — and see why Cynopsis Digital said that it “should be required viewing for kids thinking of moving out to LA LA land to chase their dreams of stardom as it delves into the frustrations of being on the outside looking in.”

TDW: Anything else you want to add?

Rosin: Hard to believe the show’s 20th anniversary is coming up . To get to know what the early days were like check out Rolling Stone Magazine’s article “Smells Like Teen Spirit” (issue 624) originally published February 20th, 1992.

For more on showbizzle, head over to the site.

Come back next Sunday for another exclusive interview!

TDW Interview Index

Exclusive: Christine Elise on Emily Valentine’s Pop Culture Legacy

23 08 2009

Christine Elise circa 1991 and today.

Aside from Beverly Hills 90210’s main players, there’s one character that still gets a lot of attention today: Emily Valentine.  Emily earned, let’s say, very colorful descriptions from viewers, including “stalker,” “crazy,” “fire-starter” and “freak” and sparked debates among fans that still occur today.  Some even argue she’s the inspiration for Silver’s character on the new 90210.

I recently spoke with Christine Elise, Emily’s portrayer, about the character’s genesis and legacy.

TeenDramaWhore: You joined the show as potential love interests for Brandon (Jason Priestley) and Dylan (Luke Perry). Did you have any idea the character was going to become the ‘crazy girl’?

Christine Elise: I was initially cast only for the first episode [ed. note: Episode 2.8, Wildfire] with the possibility of 9 more if things went well – whatever that means. I guess they did go well – because I came back.  Initially – I was very excited to play Emily because I saw her much as I saw myself in high school – as a girl with a personal style different from the mainstream and one that some others mysteriously found threatening.  I, too, was misunderstood & suffered many incorrect assumptions about what “kind” of girl I was.  I appreciated the “you can’t judge a book by its cover” theme of that introductory episode.   Later, as the shows progressed & it was revealed that Emily was nuts – I must confess to disappointment.  I felt they had betrayed her by – ultimately – saying “you CAN judge a book by its cover.”  It was pretty early in my career & a very big job for me.  I really had invested myself in Emily & I had a hard time with the things they made her do & say.  Still – in retrospect – that sense of betrayal might have informed my performance in ways I hadn’t intended.  I played her – even in the nuttiest scenes – as someone I felt really bad for – not a cold & wicked villain.    I think that might have saved her in the eyes of those fans of the show that related to her…and there were many.  Even today, kids that felt disenfranchised either because they were gay, or punk or new in town or poorer than their peers – whatever the reason – they still come up to me & tell me Emily was their favorite character.  I find that really gratifying.   And I hope it is due in part to how I played her & the sympathy I felt for her that allows her fans to forgive her for being such a kook. Or maybe her fans are all crazy, too!   Hahahah!

TDW: In all seriousness, your storyline touched on the important issue of mental health. Do you think people forget or overlook that part and just focus on things like the now iconic gas-throwing float scene (Episode 2.16, My Desperate Valentine)?

Elise: Well – let’s net get to taking ourselves too seriously <wink>.   I don’t think her mental health was covered with the same attention as her nutty behavior but that is totally fair.  After all – it was a soap opera not a PBS program.   As it turned out – the cure was Prozac – so she was simply suffering from depression, I guess.  Not to downplay the agony of suffering clinical depression – but she wasn’t, ultimately, portrayed as mentally ill in the traditional ways we use that term – despite the high drama of the early episodes.   It might have been interesting to show how much pressure is on kids when they change schools etc – and that not all deal as successfully as the Minnesota Twins [Brandon and Brenda] – but I think Emily was brought in not so much to tell HER story as to provide an antagonist  – or a catalyst for the stories of the main characters, you know? On a side note –  I couldn’t help but notice that the only other high profile, blue collar character – Ray Pruitt [Jamie Walters in seasons 5 and 6]- also went nuts & threatened & even injured a main character.    I wrote a Halloween episode once [ed. note: Episodes 6.8, Gypsies, Cramps and Fleas] that had Ray doing kooky stalkery stuff & I felt the same sympathy for him that I did for Emily.  Maybe something in the lunches at West Beverly makes poor people go NUTZ!!! I will also say that the float scene defined Emily in a way I still find pretty surprising.  I get asked two questions all the time: 1) What was it like kissing Jason Priestley? and 2) Why did you burn the float? and 3) Oh – and “Is Shannon [Doherty, Brenda] really a bitch?” I still haven’t developed a cute answer for any of these.  Kissing on camera is embarrassing & awkward & nothing like kissing someone in real life.  EMILY destroyed the float – not me (a detail overlooked by a shocking number of folks) and she did not ever burn it.    And the last question is less interesting to me than “Was BRENDA a bitch?”  – because I kinda think both Brenda and Kelly [Jennie Garth] were pretty awesome be-atchez despite being offered to the public as the heroines of the series.  They both were pretty judge-y  – especially considering the flaws in each of them that were revealed over the years.  But if that leads to characters spitting dialogue like, “Have fun at the GYNOCOLOGIST, Emily!!!” [ed. note: quote is from Wildfire]- well then I am all for it!!!!  Because that is some funny shit.

TDW: I don’t know if you’ve watched the new 90210 at all, but one of the characters, Silver, had a storyline similar to yours. Most of the press said she was either the new Emily Valentine or she was pulling  an Emily Valentine. How does it feel to know ‘pulling an Emily Valentine’ is part of the pop culture lexicon?

Elise: I think it is tremendous!  How many roles like that does your average actor get to play in a career?   I knew she was the Pinky Tuscadero of 90210 [ed. note: reference to a Happy Days character] – but I had no idea the extent to which she impacted people….or how enduring that impact would be.  There is a book called The Emily Valentine Poems and a band called Emily Valentine.   Nylon magazine devoted their ICON column to Emily a few months ago which I found super flattering.   There are several “We hate Emily” groups on Facebook.  I think it is all great.   I kinda felt the actress that plays Silver  [ed. note: Jessica Stroup] was offended by the comparison to Emily.  All I can guess is that she was NOT an outsider at school & identified more with the popular kids…hahahah.    Or maybe she, too, is invested in her character & feels protective of her – as I did Emily.    Clearly – she is no Emily fan.  [ed. note: related article] But, you know – I wonder if I would have liked or hated Emily if another actress had played her – therefore robbing me of the protective impulses I had toward her.  There is no way to know.  I didn’t come at the role from the perspective of the audience but from the inside out.    I still can’t watch the old episodes & really see the character objectively – or even purely as a fan of the show.  I just cannot separate myself enough to make that judgment   I can say that the show  – and my performances – crack me up now.  It seems so much, much campier in retrospect than it did while we were doing it.   I was so sincere & working so hard back then – desperate to do a good job.  Now – I watch & chuckle, with humor & nostalgia.

TDW: Emily’s romance with Brandon was ill-fated. First Emily got ill in season two, then they reunited in season four but she was moving across the world and then when she came back in season five, he was with Kelly. Were you rooting for them? And did you get any flack from “Brelly” fans?

Elise: Of course I rooted for them!  It would have meant more work for ME!   And that show was a lot of fun to work on.  But, yes, I get a lot of flack from fans – mostly in online message boards that called me things like Emily Frankentine  – and they mocked that Louise Brooks bob [ed. note: reference to a model] I had in the Kelly/fire episode [ed. note: Episode 5.13, Up in Flames] by calling me a “donkey in a Dutch boy wig.”   Those kinda things actually hurt a lot more than you think they might.   Sometimes they made me cry.  You have no way to fight back or defend yourself – and people are incredibly nasty when they are hidden in anonymity.  And though you KNOW you shouldn’t read it – it is nearly impossible to tear your eyes away.  I mean, even Tina Fey addressed those online bullies at the Golden Globes when she named a few by their handles and suggested that they “suck it.”  That was awesome & every actor with a computer knows exactly what she was talking about.  Everyone has read mean stuff about themselves & taken it harder than they wanted to….even if they won’t admit it.   I can also say, however, that nobody has ever sad anything mean to my face.  I am not sure if that is because people that hate either Emily or me don’t approach me.  I tend to think that the excitement of meeting someone you watched on TV over & over kinda trumps whatever bad feelings you might have about the character they played.  I know it does for me when I see actors around whose shows I love.   Also – though I tend to imagine my peers as the ones behind the cruel online posts – it is more likely random 10 year old girls who wouldn’t dream of confronting me in person to tell me my hair-do sucks.  Hahahaah!    Whatever the reason, I am relieved to report that, though I am approached all the time by 90210 fans – I have never had any of them be mean to me.  WHEW!!!

TDW: In your last appearance, during Up in Flames, Brandon and Emily share a kiss and retreat to her hotel room. Viewers don’t see what happens next but Brandon feels quite guilty about it. What do you think happened?

Elise: I never really thought about it but if I had to guess – I would say nothing much more happened.  Brandon was an enormously integrity-ridden character.   I imagine he would feel all the guilt he seemed to over just the kiss.  And as a chick – I gotta say – he SHOULD HAVE!   A kiss is cheating!!!  Does anybody think it is odd that none of the characters on the show thought it a sinister coincidence that Kelly was burned in a fire the very day firebug Emily showed up???

TDW: You co-wrote a couple of later episodes. How does that experience differ from the actor experience?

Elise: Writing is fun.  And writing on a serial like 90210 is easy-peasy.  They hand you a pretty substantial outline of what is going to happen & you essentially just fill in the dialogue.  I got to make a few personal touches, add some inside jokes etc – but, for the most part, I had to stay true to the structure they handed me.   I would happily do it again.  I am very grateful for the unique opportunities that show gave me.  But – it is very different from acting because when you write an episode – you can go from start to finish & never walk on the set.  You do it all from home & the occasional meeting with the writing staff.  So – it is an almost solitary experience – where working on a set as an actor is a very social affair & you work with everyone (from the crew to the cast) to get stuff right.  It is more of a collaboration  – in almost every minute – than the writing is.  If I could only do one – I would choose acting.  I like the social elements of being on set.

TDW: Without getting too personal, you dated one of your co-stars. How do you keep that separate from your work life and  professional relationship?

Elise: I am not sure what that question means.  Do you mean – did I get jealous of KELLY???  Haha.  No.  Though many fans have a hard time separating the actors from the characters – I certainly do not.  The entire cast & crew of that show was like a huge extended family.    I never took any storylines personally.   And both Jason & I were actors before we met & think of working on a set with the same casual attitude that other people approach their jobs.   Work is work.  There is never any confusion about that – nor does it complicate one’s life any more than any job with odd hours might.   But – I will admit – sometimes it is a drag to watch your boyfriend kiss a new gal every week!!!  But he had to watch me, too, so – it’s all just part of the deal…and you get over it pretty quickly.


Christine and Jason during their multi-year relationship.

TDW: Are you still in touch with any of the cast?

Elise: Jason (and his wife, Naomi [Lowde-Preistley) and I are still very close.  I see Tiffani [Amber Thiessen, Valerie] quite a bit, too.   Beyond that – I only rarely run into the rest of the cast at auditions or  – like – at Jason & Naomi’s wedding.

TDW: You’ve taken a few small acting gigs in recent years but mostly focus on art.  What kind of stuff do you and where can fans see your work?

Elise: Photography has become quite a passion of mine & my stuff can be seen at I have driven from Los Angeles to Boston & back more than half a dozen times.  I like to photograph the decaying Americana along Route 66 and the little things that make each state unique.  I hate that uniformity is the order of the day today.  I hate that every mall in any city has the same stores.  I hate Starbucks & McDonalds taking over where mom & pop shops used to rule.  I hate how generic this country is becoming.  So – I try to preserve some vintage beauty with my camera.

Come back next Sunday for another exclusive interview!

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