Cliffnotes: Wilm On Film

5 06 2010

**I received a promotional copy of Wilm On Film courtesy of StarNews Media.**

Whenever I’ve heard Wilmington, North Carolina referred to as Hollywood East, I’ve always chuckled to myself in a “yeah, right” kind of way.

After reading Wilm On Film: A Guide To More Than 25 Years of Film & TV Production Around Wilmington, North Carolina, I realized the joke’s on me.

Sure, I knew that two of our teen dramas, Dawson’s Creek and One Tree Hill, were filmed there, as were a few dozen other productions.

Turns out, “a few dozen” is a gross underestimate.

(STARNEWS MEDIA)

The book, written by Star-News staffers Amy Hotz and Ben Steelman and edited by their colleague Jeff Hidek, recounts the history of the Wilmington film and television industry while also providing a fairly comprehensive guide to the hundreds of productions filmed in the area.

The book rightly calls itself an “easy-to-use-guide” and those were the first words that came to mind when I first flipped through the book. It is mostly sectioned by time period, with a break-down of several productions filmed during each. Each film or TV pilot/series is further broken down into plot synopsis, filming dates, notable cast and crew, key locations and fun facts under the catch-all phrase “did you know?”

As it turns out, Hollywood East is just one of the area’s nicknames. “Locals,” according to the book, “refer to it more endearingly as ‘Wilmywood.'” And it’s no wonder: a listing of some of the stars who have filmed there reads like a “who’s who” of Hollywood. Among the names trotted out in the introduction: “Sandra Bullock, Julia Roberts, Nicole Kidman, Martin Lawrence, Queen Latifah, Richard Gere, Dakota Fanning, Dennis Hopper and the list goes on.”

Not surprisingly, the introduction also points out that “In 2009, The CW television drama ‘One Tree Hill,’ starring Sophia Bush [Brooke] and James Lafferty [Nathan], began filming its seventh season.” That is, undoubtedly, the area’s biggest current claim to fame. Skip down a bit, and the authors note “‘One Tree Hill’ stars often show up at charity events and festivals. Chad Michael Murray [Lucas], who starred on the series’ first six seasons, helped start a new Pop Warner football team for ages kids 11-15. Lafferty helped start a local American Basketball Association team called the Sea Dawgs.” The latter factoid I knew; the former I didn’t.

And that right there sums up the book quite well: there’s much that devout OTH and DC fans as well as film geeks will know but I found there are also plenty of gems as well. An example appears on the very next page. Linda Lavin (Sophie, aka The Nana, The O.C.) is apparently very fond of Wilmington, having filmed a television movie there in 1995 and “settling” there afterward. She is quoted as saying, “I could live in a lot of places, I guess, but this is where I’m home.”

The book is peppered with anecdotes, since “you’re hard pressed to find anyone in Wilmington who hasn’t worked on a set or been touched by the film business in some way.” But if you’re not interested in the production being discussed or a film geek or keen to learn quite a bit about Wilmington, you’ll find yourself skimming through the text.

With my eyes peeled for any and all One Tree Hill or Dawson’s Creek mentions, my skimming stopped on page 34 where I found one of those aforementioned gems. In the midst of an accounting of Blue Velvet’s production, the authors reveal that “while it doesn’t have the fan base of ‘Dawson’s Creek’ or ‘One Tree Hill,’ a steady stream of ‘Blue Velvet’ aficionados still calls [sic] the Cape Fear Coast Convention and Visitors Bureau.” Reading this just a few days after star Dennis Hopper’s passing, I wondered if these calls would increase in the next few weeks.

Each of the time period-based sections starts by giving an in-depth look at a production, such as Blue Velvet (which marked 1986-1988, an “on the rise” time for the Wilmington film scene). The first that I closely read was the following section, “the boom years” or 1989-1992. Why? The child in me was giddy at the details provided about…wait for it…Teenage Mutant Ninja Turtles. And bless that film, for “it also paved the way…[for] ‘Muppets In Space.'”

I read the next section’s opening quite closely as well. “A darker tone,” which accounts for 1993-1997, starts out by talking about The Crow, a cult film I was big on during high school. I can’t recall if I knew it filmed in Wilmington, but I never tire of reading about it, especially about the on-set death of the film’s lead actor, Brandon Lee. The section starts off noting, “Of all the movies made in Wilmington, ‘The Crow’ remains the most macabre” for this very reason. And the quote from Lee on the next page, “I find myself thinking, ‘What if I died and had a chance to come back?’ So many things seem so trivial and mundane. If you came back, they would seem so significant and bittersweet,” is incredibly chilling.

The next entry to pique my interest was also a cult film, but on the opposite spectrum of The Crow in tone: Empire Records, another film that I watched quite a bit during my high school years. I didn’t know this one was filmed in Wilmington, either. A few pages later, To Gillian On Her 37th Birthday caught my eye, as it starred Peter Gallagher (Sandy, The O.C.), making that at least two O.C. cast members to film in Wilmington.

The following section is aptly titled “teen invasion,” covering 1998-2002 and starting with six pages on Dawson’s Creek (though about half of it is comprised of graphics). They sum up the show quite well, pointing out “its hyper-sexual, super-wordy dialogue centered around four high school students in the small town of Capeside, Mass. — wannabe filmmaker Dawson (James Van Der Beek), sweet girl-next-door Joey (Katie Holmes), lovable scoundrel Pacey (Joshua Jackson) and new vixen in town Jen (Michelle Williams)” and astutely noting that “adult thoughts and emotions coming from teenagers…attracted many others to the series. In other shows, teens just weren’t that deep or complex” and “each week brought an hour long dose of teen angst, introspection and complicated consequences.”

To also be filed under the “I had no idea” category, they mention that “more than 30 teenagers gathered outside Wilmington’s EUE/Screen Gems Studios to protest the coming out of Kerr Smith’s character, Jack” in the show’s second season. It made this quote a few paragraphs later, from a 2003 Star-News interview with Jackson, all the more fitting: “I was used to working and I understood the requirements. I didn’t understand the cultural phenomenon it would become.”

The phenomenon idea was echoed by a Cape Fear Convention and Visitors Bureau staffer who notes that they received “hundreds of calls” during the show’s second season from people wanting to know where this-and-that were located. The authors note, “Film tourism had existed in Wilmington before ‘Dawson’s Creek.’ But the show was in a league of its own.”

Among the other interesting tidbits: Van Der Beek taught baseball at a local high school, Williams performed in a staging of The Vagina Monologues and Jackson once helped save two swimmers. Additional neat reveals came via photos, one of most of the cast at “a tribute to the show in downtown Wilmington after they wrapped filming of the final season in 2003” and another of a mural showcasing the core four outside the studios. It is noted in a later section that John Wesley Shipp (Mitch, Dawson’s Creek) starred in Port City, which filmed in Wilmington, and it is also noted that Barbara Alyn Woods (Deb, One Tree Hill) is in the flick as well.

During the Dawson’s Creek era, one of my favorite movies, A Walk To Remember, filmed in Wilmington. Not new information to me or surprising given author Nicholas Sparks’ predilection to set his stories in and film the big screen adaptations in southeastern coastal towns but now all the more interesting to me given that Bethany Joy Galeotti (Haley, One Tree Hill) is working on a musical adaptation of one of Sparks’ other novels, The Notebook.

The final section takes us from 2003 to the present under the title of “modern melodrama” and kicking things off with seven pages on One Tree Hill (again, about half are graphics). One of the main takeaways in this section is actually the legacy of Dawson’s Creek. “Coming so close behind such a successful show that was similar in so many ways,” the authors write about how some people felt during the transition period, “‘One Tree Hill’ might have a problem coming into its own. And when that notion was put to rest after the show went into its second, third and fourth seasons, it’s likely no one had any idea what was in store.” They then quote OTH creator Mark Schwahn after the season 6 renewal as saying “‘Dawson’s Creek’ is a huge, big wonderful show that when you come to Wilmington to make a pilot, you have this specter of this show looming over you, and it seems unattainable to go as long as they would.” One Tree Hill fans know the show has since accomplished more than Dawson’s Creek did in terms of number of seasons and episodes.

Like in the Dawson’s Creek section, they sum up One Tree Hill’s premise quite succinctly: “‘One Tree Hill centered on two-half brothers (Chad Michael Murray as Lucas Scott and James Lafferty as Nathan Scott) who pretty much hated each other. They competed against each other on the Tree Hill High School basketball court, in the dating world and in the family circle.” They note the retooling the show went through with its time-jump, explaining “In seasons five and six, viewers learned how the characters would make their ways in the world, the professions they would choose, the relationships they would commit to and all the mistakes along the way.” My only gripe is the errors in the following sentences: “Nathan became a semi-pro basketball player and slamball player who was finally called up by the Charlotte Bobcats. He would marry Haley (Bethany Joy Galeotti) and have a son, Jamie (Jackson Brundage).” Nathan married Haley and had Jamie before becoming a semi-pro player, slamball player and getting called up by the Bobcats. In fact, marrying Haley and having Jamie occurred before the time-jump, before seasons five and six.

Among some interesting choices: They explain the exit of Murray and Hilarie Burton (Peyton, One Tree Hill) after season six as them “[deciding] not to renew” when it isn’t 100 percent evident that that was the case. Additionally, there’s a photo of Murray with Bush and another of him with fiance Kenzie Dalton, and the caption notes how Murray and Bush were once married but he’s now engaged to Dalton, who appeared as an extra on the show. At first I thought it was unnecessary/irrelevant but then I recalled that many of the entries for other productions mentioned if so-and-so had a significant other in town with them or met someone there, where they were frequently seen, etc. As far as pictures go, throughout the book they managed to include all of the core 5–except Galeotti (Haley, One Tree Hill). But also included are Robert Buckley (Clay, One Tree Hill) and Amanda Schull (Sara/Katie, One Tree Hill).

As they did in the introduction, they note some of the local-but-outside-OTH activities the cast has done, including Burton’s Southern Gothic Productions, Lafferty’s charity basketball games and documentary For Keeps and Galeotti’s workshop of her musical version of The Notebook.

Burton receives three other mentions in the rest of the section: one in the notable cast and crew listing for The List, one in the notable cast and crew listing for The Secret Life of Bees, where it’s noted that Tristan Wilds (Dixon, 90210) also starred, one in the notable cast and crew listing for Provinces of Night (which has since been retitled Bloodworth) where it’s noted that Barry Corbin (Whitey, One Tree Hill) and Hilary Duff (Olivia, Gossip Girl) also starred. Another production listed, Remember The Daze, starred Leighton Meester (Blair, Gossip Girl). In the book’s final section on independent filmmaking, or “free spirits,” it’s mentioned that Billy Dickson, who has directed more than 50 episodes of One Tree Hill, created a webseries called IQ-145.

Of all the quotes included, I have to say my favorite might be one from Paul Johansson (Dan, One Tree Hill). He said, “[Wilmington] has so many split personalities. Is this a beach town or is it a historic town or is it an industry town? What is it? And that’s what keeps it interesting.”

And it was certainly interesting for me to learn about all that has happened in Hollywood East (yes, I’ve been converted), things that I clearly had no idea about before. As if my urge to visit Wilmington wasn’t strong enough before, this certainly put me over the edge.

Wilm on Film is available for purchase on Lulu.com.

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Exclusive: One Tree Hill’s Cullen Moss on the Evolution of Junk, Making of Dear John and Blood Done Sign My Name

21 02 2010

Think One Tree Hill is the only place to catch Cullen Moss? Not true, my friends, not true. In the month of February alone, Moss had two movies come out in theaters, the based-on-a-novel Dear John and the based-on-a-true-story Blood Done Sign My Name.

But there’s no denying Moss is most familiar to us TDWs for his role as Junk Moretti, a character we first met way back in 2003 in the One Tree Hill pilot. In our exclusive interview, Moss talks about his longevity on the show, improvising in Dear John and the connection he has to Bethany Joy Galeotti’s The Notebook musical.

TeenDramaWhore: Do you remember what your audition for One Tree Hill was like?

Cullen Moss: Yes, I do. It was a surprise. It started with a call from my agent that the [casting agency] Fincannons wanted to see me. I just this past year found the piece a paper where I wrote the details down. I wrote “Jump McCready, 17-year-old baller.” This was when I was 27! My agent, she even told me, “Now, I asked them if they knew how old are you” and she asked if they were sure they wanted to see me and they did. I went in and I found out it was not Jump McCready. But for some reason, that name, Jump McCready, made me go in and do this character-y New York dialect. I guess they liked it. The line was about somebody stinkin’ and needed deodorant. It sounded like something from The Bowery Boys in a 1940s movie. Or somebody out of The Sandlot. It was weird. But when I went back for the call-back, I said, “You know, I can lose that accent. I don’t have to do that” because I realized that it was supposed to be set in North Carolina, and they were like “No, no, no. Are you from New York?” and I said I wasn’t. I forget who was there. [Creator] Mark Schwahn and…

TDW: [Executive producers] Mike Tollin? Brian Robbins?

Moss: Yeah, I think they were both there. I’m pretty sure Brian Robbins was. Anyway, they were like, “No. Keep it. We like it.” So I did. At the time, I was supposed to go over to Japan to visit my brother who was living there but my agent kept saying, “You’re still in the running. You’re still in the running.” It was this long process. So I had to postpone the trip to Japan and then the final audition was a shoot-out. They set up a basketball hoop outside the casting office. I was by no means 17 and by lesser means a baller. I would play little pick-up games with my friends but I was terrible. I had poor form. I would describe my court-style as frantic. I practiced the night before the shoot-out and I tried to pass to one of my friends and my back went out! I was just feeling decrepit and old and useless. But the morning of, I stretched it out and kind of played through the pain. It was down between me and a black guy for the role. He had played high school basketball and stuff but, for some reason, he wasn’t hitting his shots. I was talking trash, needlessly because I was horrible, but all my garbage I was shooting was going in! I remember Mark Schwahn saying, “Your form is horrible! How are you making these shots?” but I couldn’t miss that day. Then I got the part.

TDW: Did you ever expect all these years later that your character would still be around?

Moss: No, I didn’t. Vaughn Wilson, who is such an awesome and cool dude, plays Fergie. Usually when we would shoot, it was like smoke and fire. One of us wasn’t working unless the other was. They would call us in together, Junk and Fergie, Junk and Fergie. I was working at the studios, actually, during the second or third seasons, in the lighting and grip department. I was in the shop, inventorying equipment and fixing equipment. I would deliver stuff to the set of One Tree Hill and try to get the scoop–was I in the next script? I remember somebody at the beginning of the third season saying, “Oh, yeah. You’re coming up soon” and then they looked at the script later and were like, “No, I think it was just Fergie in the script.” It happened another time, too, where he was working and I wasn’t so I thought maybe they were just done with me and I wanted to find out. So I e-mailed Mark Schwahn and said, “Hey, if you’re done with me, I understand. I don’t want to be on edge here. Just let me know if that’s it. If that’s it, that’s fine and thank you for keeping me around as long as you did.” He answered back–and he’s such a sweet dude–he said “You know, honestly, we really don’t know. We don’t have a point of view for your character. We don’t know where we’re going to go so I don’t have an answer for you but that might be it for you. Oh, and you’re not looking so high school.” And I understood that.

So I wrote him back and pitched an angle. I don’t know if it had anything to with his ultimate decision but I pitched it that maybe Junk was this older loser guy. They had never shot me at the high school. I said maybe he’s the older loser guy who hangs out with the kids on the River Court. He never really grew out of his high school years. He doesn’t have anyone his own age so he’s clinging to this group and maybe he’s the guy who buys the beer. I didn’t know. But I pitched it to him and he brought me back in and I thought it was in that capacity, as the older loser guy who found his niche with these guys. I thought it was that until they had me going to prom [Episode 4.15, Prom Night At Hater High] and graduation [Episode 4.20, The Birth And Death Of The Day]. I was like, “Okay. So I actually graduated. I actually went to prom.” They actually had Fergie and I go together. We didn’t have dates. So we walked in together.

Mark Schwahn, he’s a loyal guy. Our characters certainly have not been so integral that they couldn’t have just been dropped at this point. There wouldn’t have been some huge outcry from the general public that watches One Tree Hill, I don’t think, if Junk and Fergie disappeared. But they did keep us around. I was surprised when I found out that there were people who actually knew who Junk was, that people did watch the show that intently. “They’re the old crew. They’re the River Court kids.” I think Schwahn saw that, too, and felt the need to bring back those roots, every now and then, to the River Court and to where the pilot began, the story began. Throughout whatever changes have gone on, he’s brought us back to represent those roots and certainly occasionally for comic relief. It is kind of a surprise that seven years later I’m still playing Junk and that, in the small capacity I’m in, people know who Junk and Fergie are and appreciate us. It makes me feel like maybe if I was gone, I would be missed. I don’t know.

TDW: I think it’s remarkable because the show has had tons and tons of supporting characters over the years and you two have outlasted nearly all of them.

Moss: Yeah. I think part of it might be due to the fact that we’re local actors. They don’t have to fly us in. So part of it may be a budgetary issue. But Mark’s been loyal and kept us in mind when there’s gatherings and weddings and stuff. He’s like, “Even if you don’t have lines in the episodes, you guys need to be there. You’re part of the crew.” He hasn’t forgotten the roots of the show and that’s cool. While we’ve never come in and had very specific storylines or characters arcs, he’s felt us somewhat integral and necessary, I guess.

TDW: Your most recent episode was the John Hughes tribute [Episode 7.15, Don’t You Forget About Me]. Were you a fan of Weird Science and Home Alone before then?

Moss: I was with Weird Science. I hadn’t watched Home Alone in its entirety until this last year. I showed it to my six-year-old son and we got to enjoy that together. But I was a big fan of Weird Science.

TDW: What was it like filming those scenes with Jackson [Brundage, Jamie]?

Moss: It was a lot of fun. He’s always fun to work with. He was such a cool addition to the show when he came in. It’s cool whenever the cameras stop rolling and we get to horse around with him. Actually in the paintball scene [in 7.15], there was a point in the shooting where they used stunt guys. Vaughn and I took the first few hits with special effects guys firing the paintball guns because they were not entirely trusting of Jackson’s aim, not to hit us in the face or the cracks of our padding. But once they got the stunt guys in our places, they let him have a turn with the gun and he did not miss. He was nailing them repeatedly. He was a good shot.

TDW: On some level, that doesn’t surprise me. He’s proven he’s good at like every single thing the show has handed him.

Moss: He is. He’s such a little fella. I’m sure his percentage on the basketball court is better than mine. He puts up these wild shots and they go in. He’s good. He’s a sporty little fella. He’s just a lot of fun. I’ve been doing this show longer than my son’s been around. He was born [in season 1] so it’s an interesting timeline, just to think I’ve been doing this show as long as its taken to this little human being to become who he is. The point of that being is that I’ve got a six-year-old kid and he’s a little younger than Jackson, but I love kids and interacting with them. So Jackson is also a joy to be around.

TDW: Have you heard anything about the chances of there being an eighth season?

Moss: Probably as much as you have. I’ve got two theories. One, we will get an eighth season and my second theory is that we won’t.

TDW: Very scientific.

Moss: That’s as far as it goes. I really have no idea. I know the show was doing well with ratings towards the beginning of this season. I don’t know quite where it is right now. I don’t know who wants it, who wants to continue. I don’t know who doesn’t. So I don’t know what will factor into it but I’d love for there to be another season, of course for myself and for the Wilmington crew, too. From the PAs to the DPs, the grips, the electrics–that’s kind of the only gig in town right now outside of independents. I’m hoping all the talented guys on the crew can stay employed another season. And hopefully by the time the show has seen its last episode, there will be enough other work in town due to the film incentives that were recently passed so they can stay employed and stay in their own town.

TDW: I have to congratulate you on the success of Dear John. You guys took down Avatar in your first week!

Moss: We did. Our special unit dudes tackled those blue aliens. That was a shock. It was pretty cool to be a part of that.

TDW: For that audition, did you go in for a specific one of John’s army pals or a generic one? Because I thought they all had unique personalities but I wasn’t sure if that was determined by the script or if you brought that to the role.

Moss: Well, it was a little bit of both. To answer the first question, I originally auditioned for one of Savannah’s friends. And then they brought me in for Rooster, who was who I got cast as. As far as what I brought to it, that was something again with the name. When I hear names, I put voices to them and with Rooster I decided maybe he was a Southern guy and brought that to the audition. I got called back and the director Lasse Hallstrom was there and I said, “Now I don’t know if you want him to be Southern” but he liked what I had done. He asked where I was from and I said North Carolina and he said, “Oh, but you don’t have an accent?” and I said, “I do but I don’t have the accent I auditioned with.” I made him a little more Southern.

Hallstrom did let us bring a lot to it. Very little of what you heard my character saying was scripted. I’m trying to think of any of it was. There was “requesting to extend my stay as well, sir”–that was scripted. But he would let us improvise a lot. There’s that scene where John drops his letters in the mud before he burns them off. Hallstrom decided at the last minute, “Let’s pop this shot off” and he asked if I would walk by and say something. I asked, “Anything in particular?” and he said, “No, maybe you can just say something smart-ass to him, make a little joke about it. Or ask him what’s wrong. It’s up to you.”  So we went over a few variations of it and did it. And the scene in the humvee just before John gets in a firefight, there was this whole little written monologue about being a little upset about being a soldier sent overseas and there not being any combat where we were. We tried that and he said, “No, it sounds too soldier-y, too military. Can you just tell a story?” And I said, “What kind of story?” “I don’t know. Any kind of story. Something personal.” So I told part of a story from a buddy of mine, a fishing story about a catfish eating a squirrel and the squirrel getting away and swimming to the shore. So I did that in one take and I was just ad-libbing in the surroundings for other stuff. So we all did get to bring a lot of our stuff to it. Hallstrom would just try to breathe life into it by saying, “Forget the script. Here’s the situation. Act as you would naturally.”

TDW: You also have a new movie out now, Blood Done Sign My Name. What can you tell me about that?

Moss: That was a great experience because it was the only time I’ve played an actual real-life person. It’s a true story. It’s based on the memoirs of Tim Tyson. He observed the racial tensions in Oxford, North Carolina in the 1970s, where riots and protests came about when three local white men–a business owner and his two sons–weren’t convicted of brutally beating and shooting to death a young black Vietnam veteran who had just gotten back. I was cast as one of those sons, Larry Teel. It’s an important story. As a North Carolinian and as well as an American, you don’t hear all these stories. You hear about the civil rights movement and it’s kind of confined to this time in the ‘60s but you find out shit was not fixed in the ‘70s and it’s still not. That should be common knowledge but you don’t hear these little stories. It’s not a part of North Carolina history. They teach North Carolina history in their schools and you don’t hear about this. It was cool to be a part of a true story. There were people on set that were there during the riots, during that time, and saw the tension after these three men went on trial and got off scot-free when there were witnesses. It was really interesting. It was a great experience.

TDW: You also worked with fellow One Tree Hill stars on it.

Moss: Yeah, I worked with Lee Norris [Mouth] and Michael May [Chuck]. It was cool to have Lee there. It was comforting.

TDW: Speaking of One Tree Hill stars, you also narrated The True-Love Tale of Boyfriend and Girlfriend, which starred Hilarie Burton [Peyton] and Austin Nichols [Julian].

Moss: Yes, I did. That was really cool. [Writer-director] Nick [Gray] and Hilarie asked me to come in and do that. I think they both had seen me do really broad kind of character-y voices from different things that I have done so they wanted me to come in and provide them with this crusty narrator guy. It was a lot of fun to kind of disappear into that voice.

TDW: If I didn’t know that you were the narrator, I never would’ve guessed.

Moss: Well, thank you. We toyed around with a couple of voices but that was pretty much the first idea and they liked it. It was like a Southern-fried William S. Burroughs.

TDW: I think I read that your girlfriend was on One Tree Hill recently.

Moss: Yes! She’s awesome. Madison Weidberg. She is an incredible actress and quite a talented actor. We actually met doing a play in Wilmington. We met [in 2008] during Debbie Does Dallas: The Musical–real high-brow stuff. But it was a blast. Anyway, she was involved with The Notebook musical, the workshop that Bethany Joy [Galeotti, Haley] did. She played a couple of characters in that and she did a great job. She and Bethany Joy got along really well and so when the opportunity came for back-up singers for the episode where Haley has her big concert [Episode 7.13, Weeks Go By Like Days], she called upon some of the girls that had been in The Notebook.

TDW: That’s very cool. What’s next for you?

Moss: Since Dear John, I got to do a part in The Conspirator, which is a Robert Redford-directed film about the trial of Mary Surratt after the assassination of Lincoln. I play a senior officer in the war department and I get to have a nice scene with Kevin Kline–and under the director of Robert Redford, so that was amazing! To be there and looking at Robert Redford’s face telling me what to do–that was a real thrill. Then I went down not long ago and had a day on The Hungry Rabbit Jumps, which is a Nicholas Cage thriller. It’ll be out in a year or so. And I just got cast in Army Wives; that’s a Lifetime show that shoots in Charleston. There’s a possibility that that’ll be a recurring role.

TDW: That’s exciting.

Moss: Yeah, I just shot that this past week. I guess that’s the next thing that will be seen. Vaughn and I worked on another One Tree episode about Skills [Antwon Tanner] coming back and some drama there with Mouth.

TDW: Is Antwon in that episode?

Moss: Oh, yeah. He is.

TDW: That’s great. We’ll keep our eyes peeled for that and everything else you have going on.

Moss: I’ve got a couple pilots out there that are kind of little independent ventures that I’m hoping will come to fruition. I shot a pilot called Hardwell with some good friends. It’s a comedy we shot and pitched to FX. Nothing’s happened with it yet but we’re crossing our fingers but not holding our breath. And there’s a golf pilot I shot with some guys in town here about a golf pro. Wilmington is really cool. There’s so many creative, talented people in this town that just drum up [projects] when there’s not any big things in town. The independent film scene in town is thriving and alive and will hopefully get realized and make some dough. When there’s nothing big happening, you can usually find something to do, something to act in, some way to work whether it’s for free and the thrill of the project or what.

TDW: I wish you the best of luck of everything.

Moss: Well, thank you so much. Thanks a lot, Shari.

Come back next Sunday for another exclusive interview!

TDW Interview Index





News Roundup: One Tree Hill, 90210, Gossip Girl and More

5 01 2010
  • As of tomorrow at 4pm, SoapNet will begin reairing One Tree Hill’s first season.
  • MTV summed up the latest news on The Notebook musical, which Bethany Joy Galeotti (Haley, One Tree Hill) talked about in the podcast I posted yesterday.
  • Matt Barr (Ian “Psycho Derek” Banks, One Tree Hill) will appear on Friday Night Lights. Have you read my interview with him?
  • Starpulse has a brief interview with Ryan Eggold (Ryan, 90210).
  • Jessica Walter (Tabitha, 90210) voices a character in Archer, a new animated show on FX premiering next week.
  • On Sunday, SoapNet is airing This Time Around, which stars Brian Austin Green (David, Beverly Hills 90210).
  • SoapCentral has an interesting article on Vanessa Marcil (Gina, Beverly Hills 90210) possibly returning to General Hospital. The article also mentions Marcil starring in the webseries The Bannen Way, which also features Autumn Reeser (Taylor, The O.C.).
  • Jezebel has a look at the Gossip Girl comic book/graphic novel.
  • Blair (Leighton Meester, Gossip Girl) is out of the Girl on Top tournament.
  • Josh Schwartz (creator, Gossip Girl & The O.C.) is now on Twitter. Added him to the Twitter Directory.
  • Worth noting, as Zap2it did, that The Secret Life of the American Teenager, starring Shailene Woodley (Kaitlin, The O.C.), and Make It Or Break It, produced by Paul Stupin (executive producer, Dawson’s Creek), did significantly better in the ratings last night than Gossip Girl and 90210 typically do.




News Roundup: One Tree Hill, Gossip Girl, Dawson’s Creek and The O.C.

10 11 2009
  • Be sure to check out The CW’s site for all the new video content this week.
  • Last night’s One Tree Hill (2.7 million viewers rounded up) and Gossip Girl (2.4  million viewers rounded up) saw a great increase in the ratings compared to last week. One Tree Hill matched its season-high, and The CW sent out a press release touting that and Gossip Girl’s increases in the key demographics.
  • Examiner.com has an interview with Austin Nichols (Julian, One Tree Hill).  I love what he says about The Notebook.  It’s both kind of sweet in an idealistic way and funny in a realistic way.  By the way, have you read my interview with Nichols?
  • MTV picked up The Notebook comments as well. It’s even more interesting when you consider that Bethany Joy Galeotti (Haley, One Tree Hill) is adapting the movie into a musical.  That’s what Lee Norris (Mouth) was referring to in our interview.
  • The One Tree Hill Connection has a new podcast with an interview with Mike Grubbs of WakeyWakey who played, um, Grubbs in last night’s episode.
  • PEOPLE.com has a poll asking if the Gossip Girl threesome was “too sexy or too safe.”
  • The Parents Television Council released a new statement in response to the episode.
  • I really enjoyed TVGuideMagazine.com‘s take on the threesome and Variety has an interesting comparison to Two and a Half Men.
  • Gossip Girl has been nominated for Favorite TV Obsession and Blake Lively (Serena) was nominated for Favorite TV Drama Actress in the People’s Choice Awards, where fans actually vote for the winners.
  • In case you missed my coverage, Dawson’s Creek: The Complete Series was released on DVD today.  They also finally updated the Web site!
  • Just noticed that James Van Der Beek (Dawson, Dawson’s Creek) tweeted about the Chad Michael Murray (Charlie, Dawson’s Creek; Lucas, One Tree Hill) comments at the Paley panel.
  • In advance of its January premiere, EW.com is already telling readers to watch Life UneXpected, which stars Kerr Smith (Jack, Dawson’s Creek).
  • Adam Brody (Seth, The O.C.) says he tried doing his own singing for Jennifer’s Body but they didn’t like his voice.




Exclusive: All Bethany Joy Galeotti Twitter Accounts Are Fake

15 08 2009

As I and Christy-Anne at OTH Twitter Bugs have been saying all along, there is no Twitter account for Bethany Joy Galeotti (Haley, One Tree Hill).

I just got off the phone with her people–I will not be naming who specifically for the sake of privacy–who made it clear that Bethany is NOT on Twitter.

Furthermore, “she is not interested in any of that” and will not be getting an account anytime soon.

The only official place to hear from Bethany herself is her offiical site, although it will not be updated frequently as she is quite busy right now with The Notebook.

Let’s put this story to rest now, shall we?





News Roundup: One Tree Hill, Gossip Girl, 90210 and More

21 07 2009
  • Bethany Joy Galeotti (Haley, One Tree Hill) is adapting the novel/movie The Notebook into a musical.  I can die happy right now.
  • Gawker posted a photo of Penn Badgley (Dan, Gossip Girl) posing with fans and a video of fans flocking to where the cast was filming.
  • PEOPLE.com has an article on some of the GG cast filming by NYU.
  • E!Online posted a Gossip Girl Fashion Gallery.
  • SoapNet has a “Where Are They Now?” photo gallery of the Beverly Hills 90210 cast.
  • While co-hosting the Today Show this morning, Tori Spelling (Donna, Beverly Hills 90210) said guys would use the show’s title as a pick-up line-a la, can I get into your zip code?  She’ll be on again tomorrow.
  • Jessica Lowndes (Adrianna, 90210), Josh Henderson (Sean, 90210) Ian Ziering (Steve, Beverly Hills 90210) and James Van Der Beek (Dawson, Dawson’s Creek) will be playing in the annual Hollywood Stars baseball game in Los Angeles on Saturday.
  • Mischa Barton (Marissa, The O.C.) is still receiving medical treatment but will reportedly be able to join production of The Beautiful Life.




YouTube Video of the Week

3 01 2009

The Notebook…but with Donna and David (Beverly Hills, 90210)!

Here are some other movie/teen drama mash-ups:

The Notebook with Brandon and Kelly (Beverly Hills, 90210)

A Walk to Remember with Brenda and Dylan (Beverly Hills, 90210)

A Walk to Remember with Summer and Seth (The O.C.)

The Notebook with Ryan and Marissa (The O.C.)

Wicker Park with Marissa, Ryan and Taylor (The O.C.)

Titanic with Marissa and Ryan (The O.C.)

Across the Universe with Seth and Summer (The O.C.)

Knocked Up with Seth and Summer (The O.C.)

Juno with Marissa (The O.C.)

The Notebook with Nate and Blair (Gossip Girl)

The Notebook with Dan and Serena (Gossip Girl)

Made of Honor with Chuck and Blair (Gossip Girl)

Mean Girls with Gossip Girl

27 Dresses with One Tree Hill

Made of Honor with Lucas and Haley (One Tree Hill)

Juno with Haley (One Tree Hill)

Sex and the City with Brooke (One Tree Hill)

Sex and the City with Haley (One Tree Hill)

The Sisterhood of the Traveling Pants with One Tree Hill

She’s All That with Haley and Nathan (One Tree Hill)








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